BIOGRAPHY

“Drop dead original and dark as a drowning pool…
I sometimes wonder if Jill Tracy is actually a ghost.”

JELLO BIAFRA

 

BLURB:

Hailed by LA Weekly as ‘“the cult darling of the Underworld,” Jill Tracy’s seductive, shadowy compositions have become synonymous with the beautiful dark— featured on Showtime’s DEXTER, CBS-TV Navy NCIS; and movies like Dr Jekyll and Mr Hyde, and Other Madnesses.
Her piano music and smoky vocals will transport you into an elegant netherworld full of hidden passageways, wonder cabinets, and opium dens. Of monsters, marvels and mayhem.
You know it’s not safe here; but with Jill Tracy as your guide, you’ll be in no hurry to leave.

 

PRESS BIO:

Jill Tracy is a San Francisco-based singer/pianist, storyteller, and “sonic archeologist” who has garnered multiple awards and a passionate following for her beautifully haunting, cinematic music, sophisticated lyrics, old-world glamour—and curious passion for strange tales.

Hailed a “femme fatale for the thinking man” by the San Francisco Chronicle, Jill Tracy was described by NPR’s All Things Considered as “utterly intriguing, transporting you into a magical world solely of her creation.” LA Weekly has deemed her “the cult darling of the Underworld.”

Her music has appeared on film and television, including Showtime’s Dexter, CBS hit Navy NCIS, and the motion picture Dr. Jekyll and Mr. Hyde. She has collaborated and performed with music legends such as Peter Murphy (Bauhaus,) Steven Severin (Siouxsie and the Banshees,) David J (Bauhaus,) Jello Biafra, Nina Hagen, Lydia Lunch, and famed author Lemony Snicket.

“The Sonic Séance” is Jill Tracy’s singular approach to “sonic archeology,” using the energy, frequency, resonant tones, and emotion of an environment to uncover spontaneous music.

With her affinity for odd history tales and unexpected inspirations, Jill Tracy is known for traveling to unusual locales to research and compose spontaneous music. She has conjured music in decrepit gardens, cemeteries, murderous mansions, abandoned asylums, ancient redwoods, and haunted castles.

Jill Tracy is the first musician in history to receive a grant from the renowned Mütter Museum of medical oddities in Philadelphia. She spent nights alone composing music amidst the Mütter’s vast collection of skeletons and specimens—which include renowned “Siamese Twins” Chang and Eng, Einstein’s brain, Harry Eastlack “The Ossified Man,” books bound in human skin, and The Mermaid Baby. This in-progress project (which began in 2102) is called “The Teratology Lullabies.”

She was invited by San Francisco’s Presidio Trust to research its archives and tour abandoned buildings with old records of supernatural occurrence. She interviewed over 50 Presidio employees revealing their first-hand ghostly encounters spanning decades. This became her stage show “Legends of the Presidio Ghosts,” which premiered in the famed Presidio Officers Club Ballroom, featuring music composed on-site inspired her discoveries.

She is currently in the middle of an another unprecedented project “The Secret Music of Lily Dale”—a musical excavation of mysterious Lily Dale, the famed private town of mediums and Spiritualists in upstate New York. She is recording her singular piano music channeled at night inside the original 1883 auditorium, site of séances and spirit communication services for over a century. She has captured field recordings from the mystical Leolyn Woods to chilling nighttime rainstorms to create an authentic, never-before-heard sonic journey into this strange, little town that talks to the dead…

 

FULL LENGTH BIO

Jill Tracy will transport you into a seductive and magical realm far beyond the Everyday. The place where we wished we lived. A dark, elegant netherworld full of hidden passageways, wonder cabinets, and opium dens. Of monsters, marvels and mayhem. You know it’s not safe here; but with Jill Tracy as your guide, you’ll be in no hurry to leave.

The San Francisco-based singer/pianist/storyteller and “sonic archeologist” has garnered multiple awards and a passionate following for her eerie and beautiful cinematic music, sophisticated lyrics, old-world glamour, and curious passion for strange tales.

Hailed a “femme fatale for the thinking man” by the San Francisco Chronicle, Jill Tracy was described by NPR’s All Things Considered as “utterly intriguing, transporting you into a magical world solely of her creation.”
LA Weekly has deemed her “the cult darling of the Underworld.”

She is the modern day woman of mystery.

With six albums to her credit, Jill Tracy’s music has appeared on CBS, NBC, PBS, and numerous independent and feature films. The song “Evil Night Together” has become a sultry underground anthem for neo-burlesque, gothic cabaret, and modern belly dancers all over the globe. Showtime Networks chose Jill Tracy’s “Evil Night Together” as the “Final Requiem” song to promote the wildly anticipated last season of DEXTER. The 2013 trailer and campaign is hailed “Dexter: The Final Symphony.”

Her music has appeared CBS hit Navy NCIS, and the motion pictures Dr. Jekyll and Mr. Hyde and Other Madnesses. She has collaborated and performed with music legends such as Peter Murphy (Bauhaus,) Steven Severin (Siouxsie and the Banshees,) David J (Bauhaus,) Jello Biafra, Nina Hagen, Lydia Lunch, and famed author Lemony Snicket.

Her acclaimed short “The Fine Art of Poisoning,” (a collaboration with Bay Area filmmaker Bill Domonkos) has won over 30 film festival awards internationally.

With her affinity for odd history tales and unexpected inspirations, Jill Tracy is known for traveling to unusual locales to research and compose spontaneous music. She has conjured music in decrepit gardens, cemeteries, murderous mansions, abandoned asylums, ancient redwoods, and haunted castles.

Her unique traveling show “The Sonic Séance” is Jill Tracy’s singular approach to “sonic archeology,” using the energy, frequency, resonant tones, and emotion of an environment to uncover spontaneous music.

Jill Tracy is the first musician in history to receive a grant from the renowned Mütter Museum of medical oddities in Philadelphia. She spent nights alone composing music amidst the Mütter’s vast collection of skeletons and specimens—which include renowned “Siamese Twins” Chang and Eng, Einstein’s brain, Harry Eastlack “The Ossified Man,” books bound in human skin, and The Mermaid Baby. This in-progress project (which began in 2102) is called “The Teratology Lullabies.”

She was invited by San Francisco’s Presidio Trust to research its archives and tour abandoned buildings with old records of supernatural occurrence. She interviewed over 50 Presidio employees revealing their first-hand ghostly encounters spanning decades. This became her stage show “Legends of the Presidio Ghosts,” which premiered in the famed Presidio Officers Club Ballroom, featuring music composed on-site inspired her discoveries.

She is currently in the middle of an another unprecedented project “The Secret Music of Lily Dale”—a musical excavation of mysterious Lily Dale, the famed private town of mediums and Spiritualists in upstate New York. She is recording her singular piano music channeled at night inside the original 1883 auditorium, site of séances and spirit communication services for over a century. She has captured field recordings from the mystical Leolyn Woods to chilling nighttime rainstorms to create an authentic, never-before-heard sonic journey into this strange, little town that talks to the dead…

With her affinity for dark history, mystery and science tales, Jill Tracy has collaborated with famed UC Berkeley historian/author Mel Gordon (Voluptuous Panic), film noir impresario/author Eddie Muller, renowned author Daniel Handler (aka Lemony Snicket), and legendary Grand Guignol theatre troupe Thrillpeddlers.

For over a decade, Jill Tracy was featured as “Belle of the Ball” at the wildly popular Edwardian Ball, an annual lavish costumed event in San Francisco and Los Angeles, drawing thousands of spectators worldwide in homage to artist Edward Gorey.

Jill Tracy has been the featured performer at Anne Rice’s famed New Orleans Halloween Ball and was commissioned to compose the highly anticipated Midnight Waltz for the International Ball of Vampires in Portland, OR. She has performed internationally, and shared the stage with luminaries like Nina Hagen, Lydia Lunch, Steven Severin (Siouxsie and the Banshees,) Richard Strange, Skinny Puppy, Jello Biafra, Faith and the Muse, Armen Ra, and has collaborated and toured with music icon David J (Bauhaus/Love and Rockets.)
She was personally invited by the legendary Peter Murphy to open some of the long-awaited US dates of Bauhaus’ 40th anniversary Ruby Tour, as well as sit in with the band with her original piano parts to iconic songs “Bela Lugoi’s Dead” and “Who Killed Mr. Moonlight.”

Jill Tracy and The Malcontent Orchestra’s beloved original score to F.W. Murnau’s 1922 silent vampire classic Nosferatu found the band touring Northern California theatres during Halloween season for five consecutive years to manic sell-out crowds. The 2002 live CD Into the Land of Phantoms contains selections from the Nosferatu score.

Jill Tracy has performed, lectured and collaborated with the Film Noir Foundation, San Francisco Performing Arts Library and Museum, The Hypnodrome Theater, Hollywood Film Noir Festival, UNO Festival (Victoria BC), the San Francisco Silent Film Festival, San Francisco Conservatory of Flowers, Victoria Bach Festival, The Presidio Trust, Death Salon, Atlas Obscura, Corpus Illuminata, San Francisco Botanical Garden, Flower Piano, Crutch Films, among others.

She has been named Best of the Bay, a two-time California Music Awards and SF Weekly Awards nominee. San Francisco Magazine named her one of the “Top 100 Creative Forces in the Bay Area.”

As a youngster, Jill Tracy was drawn to classic suspense, film noir, and horror movie scores, which she cites today as some of her strongest influences. These passions are evident in her unusual piano performance style. Virtually self taught, her singular blend of dreamy flourishes, hypnotic grooves, and dark-alley classical conjures up chiaroscuro shades of another era, but at the same time, the sound is shockingly new. And with her trademark voice of cut-velvet smoke, she reveals a talent for making rather unsettling subjects remarkably alluring.

Early days in New York City found Jill Tracy living in a converted coffin factory– with a mattress on the floor, and an old junk baby grand– reading tarot cards, and developing her own solitary magick with words and music. It was then she began collecting stray playing cards, revealed on concrete treks through the city– her “Sidewalk Divination”— an enchantment she has honored for years. Fans from all over the world now send her their treasured found cards– a powerful intimacy with her audience she cherishes.

Making San Francisco her home in the mid-1990s, (after finding a stray Nine of Hearts outside the Victorian building where she lives to this day) Jill Tracy embraced the outliers, and dark, underground circus community creating the live monthly series “Jill Tracy’s MYSTERIA.” Opulent stage sets hosted magicians, snake oil peddlers, contortionists, scientists, sword-swallowers and puppeteers all scored live by her dark parlour music.

Mysteria was one of the first modern variety events of its kind in the Bay Area, well ahead of any trend or scene at the time. In fact, it was difficult to get club bookers to even understand her vision. Industry executives told her she was “too unique and sophisticated” to ever have an audience. She persisted despite the naysayers.– and Mysteria captured rave reviews, packed houses, magazine covers, multiple awards nominations, and an ardent following for the music of Jill Tracy.

“I knew I couldn’t go in the front door, not even the back door–so I built TRAP doors,” she muses. “YOU must create your world, not the other way around.”

While record label executives told Jill Tracy that she could never find a market unless she conformed into one established “genre,” Jill Tracy was busy releasing her own CDs, charting on CD Baby’s top-selling/editor’s pick in Modern Rock, Piano Pop, Classical, Orchestral, Gothic, and Film Score categories simultaneously. The spell was cast.

Shunning the industry’s cookie-cutter mentality, Jill Tracy built her own little kingdom from that point on, completely independent, honoring her vision, her beliefs, and her audience. She is a testament to pursuing your passions at all costs, honoring your gut feeling, living life authentically, with meaning, and without compromise.

She has been called a “modern day icon” by the Los Angeles Times. A YouTube reviewer states “In an era of empty stars, Jill Tracy is a much-needed, captivating escape from the perceived ‘norm‘.” SFist proclaims  “Equal parts performance artist, filmmaker, musician, and bad-ass icon…Fear not, Jill Tracy is here to deliver us.”

“I feel that I need to be a beacon for people, and allow them into the swampy place in their souls where the sinister and sensual meet,” Jill Tracy explains in an interview in TOR.

“It’s my purpose to perpetuate the long-lost magic, allow people to slip into the cracks, to pry up the floorboards and search deeply. Believe. Imagine. It’s so important to hold on to that childlike sense of marvel.”

 

Please read: Jill Tracy:  IN HER OWN WORDS.
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